Ask Judith: Submission #13

Submission information

Submission Number: 13

Submission ID: 97

Submission UUID: 51f97e2d-5a32-44f2-9e02-89c9c6ca65d5

Submission URI: /web/ask-judith

Created: Fri, 09/24/2021 - 10:21 AM

Completed: Fri, 09/24/2021 - 10:21 AM

Changed: Tue, 12/26/2023 - 12:58 PM

Remote IP address: 87.86.104.115

Submitted by: Anonymous

Language: English

Is draft: No

Webform: Ask Judith

Submitted to: Ask Judith

Name	André Gustafson
Email (optional)	info@andregustafson.com
Question	Dear Judith Thank you for sharing your insights in your books, it’s truly uplifting and inspiring from beginning to end. Do you have a recommendation for reading about script writing techniques? Best wishes /André
Reply	Thank you, Andre, for your kind words! There are so many books on screenplay writing techniques! My publisher, mwp.com, has published a great many very good ones, so I'd suggest you go to their website. But I also always recommend to new screenwriters that you devote yourself at the same time to revisiting fundamentals of storytelling -- and for that I recommend these two books: "If You Want to Write" by Brenda Ueland, and "Writing Down the Bones" by Natalie Goldberg. Best wishes, Judith
Approved	Yes

“I am eternally grateful for your help.”
TAIKA WAITITI, writer-director, JOJO RABBIT, THOR RAGNAROK, HUNT FOR THE WILDERPEOPLE, WHAT WE DO IN THE SHADOWS, BOY, EAGLE VS SHARK, FLIGHT OF THE CONCHORDS
“I took a seminar with an acting teacher named Judith Weston. I learned a key insight to character. She believed that all well-drawn characters have a spine, and the idea is that the character has an inner motor, a dominant, unconscious goal that they’re striving for, an itch that they can’t scratch. I took to this like a duck to water.”
ANDREW STANTON [from his Feb 2012 TED Talk] writer-director, FINDING DORY, WALL-E, FINDING NEMO, A BUG’S LIFE; director, BETTER CALL SAUL, STRANGER THINGS; writer, TOY STORY, TOY STORY 2, TOY STORY 3
"Judith's method is wonderful because it is practical. She has given me numerous tools to solve problems on the set and to earn the trust of actors. Her classes and her book are invaluable resources to any director."
LAWRENCE TRILLING, director, GOLIATH, RECTIFY, PARENTHOOD, MASTERS OF SEX, PUSHING DAISIES, DAMAGES, BROTHERS AND SISTERS, NIP/TUCK, MONK, SCRUBS, INVASION, ALIAS, FELICITY
"Thank you for teaching me how to direct actors. Taking your classes made me believe I could direct. Taking your classes gave me a base, a foundation, a framework to find my own style. To step out on faith. I'm forever grateful. Love and respect to you, magnificent Judith Weston."
AVA DuVERNAY, director, WHEN THEY SEE US, QUEEN SUGAR, A WRINKLE IN TIME, SELMA, SCANDAL, MIDDLE OF NOWHERE
"Everything you taught me was more than useful. I am deeply grateful."
ALEJANDRO GONZÁLEZ IÑÁRRITU, director, THE REVENANT, BIRDMAN, BIUTIFUL, BABEL, 21 GRAMS, AMORES PERROS