Ask Judith: Submission #23

Submission Number: 23
Submission ID: 107
Submission UUID: 8d7c6127-342c-4eb4-9117-6715f3422043
Submission URI: /web/ask-judith

Created: Mon, 04/10/2023 - 07:40 AM
Completed: Mon, 04/10/2023 - 07:40 AM
Changed: Tue, 12/26/2023 - 12:58 PM

Remote IP address: 75.164.30.27
Submitted by: Anonymous
Language: English

Is draft: No
Webform: Ask Judith
Submitted to: Ask Judith
Sasha
Hi Judith, I read your book 20 years ago and I know your teachings are in subconscious. It served me well in my guerrilla filmmaking. Thinking of starting an acting workshop for beginners/amateurs looking to get their actor's demo reels put together. It's an approach where I work with actors on material and also shoot/cut clips for their reels. One direction I drew from you in assembling this workshop concept was: if your demo reel doesn’t have an emotional event, it’ll stop the viewer from watching and that's it, you're passed over. I'm wondering if you agree or disagree with this and/or if you have any other tips on what makes for a remarkable demo reel? Directing Actors (in a demo reel). Thanks!
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  • “I took a seminar with an acting teacher named Judith Weston. I learned a key insight to character. She believed that all well-drawn characters have a spine, and the idea is that the character has an inner motor, a dominant, unconscious goal that they’re striving for, an itch that they can’t scratch. I took to this like a duck to water.”

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