Ask Judith: Submission #16

Submission Number: 16
Submission ID: 100
Submission UUID: 8b9d277a-4db9-41bb-a530-af398d9bebed
Submission URI: /web/ask-judith

Created: Tue, 06/21/2022 - 03:43 PM
Completed: Tue, 06/21/2022 - 03:43 PM
Changed: Tue, 12/26/2023 - 12:58 PM

Remote IP address: 104.173.215.187
Submitted by: Anonymous
Language: English

Is draft: No
Webform: Ask Judith
Submitted to: Ask Judith
Paul Tamasy
Hey Judith, Paul Tamasy here. You and I used to teach children at UCLA's Bruin Kids together. Congrats on all of your success. I went on to write movies, including one that earned some Oscars and I'm now directing my first feature in August in Thailand. The script was originally written by Dennis Lehane. I was hired to rewrite it. I'm presently reading your book. Can I arrange a consultation with you before I depart? I tried going through your Contact page but it was only allowing me to use my son's email address.
Dear Paul -- I'm so sorry that I didn't see this post from you until today! The best way to contact me about a consultation is via email at john@judithweston.com. In the meanwhile, I'm sending you an email to the address you included. And -- I'm so thrilled to hear of your successes! I send you big hugs and very best wishes, Judith
Yes

  • “I am eternally grateful for your help.”

    TAIKA WAITITI, writer-director, JOJO RABBIT, THOR RAGNAROK, HUNT FOR THE WILDERPEOPLE, WHAT WE DO IN THE SHADOWS, BOY, EAGLE VS SHARK, FLIGHT OF THE CONCHORDS

  • “I took a seminar with an acting teacher named Judith Weston. I learned a key insight to character. She believed that all well-drawn characters have a spine, and the idea is that the character has an inner motor, a dominant, unconscious goal that they’re striving for, an itch that they can’t scratch. I took to this like a duck to water.”

    ANDREW STANTON [from his Feb 2012 TED Talk] writer-director, FINDING DORY, WALL-E, FINDING NEMO, A BUG’S LIFE; director, BETTER CALL SAUL, STRANGER THINGS; writer, TOY STORY, TOY STORY 2, TOY STORY 3

  • "Judith's method is wonderful because it is practical. She has given me numerous tools to solve problems on the set and to earn the trust of actors. Her classes and her book are invaluable resources to any director."

    LAWRENCE TRILLING, director, GOLIATH, RECTIFY, PARENTHOOD, MASTERS OF SEX, PUSHING DAISIES, DAMAGES, BROTHERS AND SISTERS, NIP/TUCK, MONK, SCRUBS, INVASION, ALIAS, FELICITY

  • "Thank you for teaching me how to direct actors. Taking your classes made me believe I could direct. Taking your classes gave me a base, a foundation, a framework to find my own style. To step out on faith. I'm forever grateful. Love and respect to you, magnificent Judith Weston." 

    AVA DuVERNAY, director, WHEN THEY SEE US, QUEEN SUGAR, A WRINKLE IN TIME, SELMA, SCANDAL, MIDDLE OF NOWHERE

  • "Everything you taught me was more than useful. I am deeply grateful."

    ALEJANDRO GONZÁLEZ IÑÁRRITU, director, THE REVENANT, BIRDMAN, BIUTIFUL, BABEL, 21 GRAMS, AMORES PERROS